Review: Goliath, by Tom Gauld

Tom Gauld's Goliath retells the biblical tale of "David and Goliath," as originally recounted in 1 Samuel 17, except that this version is told from the giant's point of view. And a very reluctant giant he is; hardly a warrior ("I mainly do admin"), Goliath of Gath is thrust into his position as the Philistines's representative champion though the machinations of a scheming captain. His confusion is palpable, and understandable, but -- being a good soldier -- he does as he's told, finding a sort of peace in his new lot until the inevitable end. As you'd expect from the title, it's Goliath who has our sympathies in this version of the tale: The Giant as Everyman.

Gauld is a crackerjack cartoonist, and his somewhat geometric art style lends a bit of ancientness and grandeur to his telling, even as his dialogue is often mundane and just-this-side-of-sarcastically humorous. His choice to include biblical narration at various points throughout the tale reminds us that this is an old story, yet it also serves as a foil to his own chosen perspective on events, creating ironic high/low tonal distinctions. He also does amazing things with text, such as chopping off word balloons in unexpected fashions to create mood or utilizing a bizarre "typeface" for an Israelite's speech to highlight the fact that Goliath can't understand a word the other man is saying.

The book is a joy to read, but -- because Gauld is such a master of pacing and the use of silent panels -- it also seemed to be over far too quickly. I find myself in the odd position of wishing that this tale were the anchor story in an anthology of other work by Gauld; Goliath is more of an excellently realized "graphic short story" than a "graphic novel." I know that he has another book in the works, a collection of his Guardian strips, and I'm very much looking forward to that. (You can get a preview of those strips in his excellent Tumblr site, You're All Just Jealous of My Jetpack.) I'm also looking forward to seeing him apply his considerable cartooning chops to a really long-form narrative in the future.

Goliath

by Tom Gauld

Drawn and Quarterly, 2012

ISBN-10: 1770460659

ISBN-13: 978-1770460652

96 pages, $19.95

Review: Scenes from an Impending Marriage, by Adrian Tomine

I was a big fan of Adrian Tomine's Optic Nerve when it was first being published, but eventually I became disenchanted with his work; it just became to seem too sterile, too "same-y" for my tastes. But when I read an excerpt of Scenes from an Impending Marriage in this year's Best American Comics anthology, I was enchanted, and I quickly requested a copy of the book from my library. I wasn't disappointed.

Tomine's cartooning is looser here than I'm used to seeing - he's having fun, and it shows. The book is a collection of short-short stories, vignettes, and even one-panel cartoons concerning the planning of his wedding to his fiancee Sarah. Anyone who's ever gotten married will identify with these mini-horror stories, which are nevertheless told with engaging humor. The influence of Charles Schulz (Peanuts) shows up more than once here, to good effect. This is a slight book (you can read it in a few minutes), but it's a keeper, and it has convinced me to check out some more of Tomine's recent work. If it's half as entertaining as this book, I'll be happy.

Scenes from An Impending Marriage

a prenuptial memoir by Adrian Tomine

Drawn & Quarterly, 2011
ISBN-10: 1770460349
ISBN-13: 978-1770460348
54 pages, $9.95

Review: Blabber Blabber Blabber (Everything vol. 1), by Lynda Barry

I freely admit it: It's impossible for me to be objective about the work of Lynda Barry. I simply believe her to be one of the very finest cartoonists ever to have lived. I first discovered her work in the pages of RAW (edited by Art Spiegelman and Françoise Mouly) back in the early 1990s, and I quickly became a devoted follower of her work, both in books and in her syndicated comic strip Ernie Pook's Comeek.

Blabber Blabber Blabber is a collection of her earliest published work, the bulk of which has never before appeared in book form. It also includes her complete 1981 publication Girls and Boys (the whole book - even the endpapers!). These early comics are accompanied by lengthy, contextualizing, collage-based autobiographical/historical sections by Barry [watch for guest stars like Matt Groening and Gary Panter!]. Reading this book is a joyful experience.

I found it quite interesting, after absorbing her two previous "how to be creative" books (What it Is [2008] and Picture This [2010]), to see how evident Barry's thematic preoccupations have been from the earliest days of her career. She mines her early and inner lives not for autobiography, but for verisimilitude: Her work feels solid, feels "real," in ways that are poetic and crystalline, wild and dangerous, careful and carefree. I cannot recommend her work highly enough, and Blabber Blabber Blabber is a great place to start.

Blabber Blabber Blabber

[Everything. Volume 1, Collected and uncollected comics from around 1978-1982]

By Lynda Barry

Drawn and Quarterly, 2011

ISBN-10: 1770460527

ISBN-13: 978-1770460522

176 pages, $24.95

   

A shorter version of this review was originally published at Goodreads.